In the heart of Manhattan’s Theatre Row, a new musical is making waves far beyond the stage.
All the World’s a Stage, the world-premiere production from acclaimed composer and lyricist Adam Gwon, is not just a piece of theater — it’s a rallying cry.
Set in a small town in 1990s America, the story follows Ricky Alleman — a closeted high school teacher — whose quiet life is upended when an unconventional student recruits him for a statewide theater competition. What unfolds is a deeply human story about the politics of identity, the pressure to conform, and the quiet, everyday courage it takes to be seen.
At a time when book bans, anti-LGBTQ policies, and the erasure of queer educators are escalating across the country, All the World’s a Stage feels less of a throwback, it’s a reflection of where we still stand in progress and acceptance. The musical’s themes echo headlines we’re seeing right now — teachers under scrutiny, LGBTQ youth isolated, and art under attack.
Yet this is not a musical of despair. It’s a celebration of connection, of community, and of the transformative power of being truly seen — and seeing others in return.
The production features a powerhouse creative team led by director Jonathan Silverstein and stars Eliza Pagelle, Jon-Michael Reese, Matt Rodin, and Tony Award nominee Elizabeth Stanley. Behind the scenes, a dream team of designers, composers, and casting creatives bring Keen Company’s signature touch to life — intimate storytelling with big emotional impact.
Adam Gwon, whose work has been recognized with Drama Desk and Drama League nominations, describes the musical as “what I wish I’d had as a teenager, and what I discovered I need right now.” His words speak to the heart of what makes All the World’s a Stage so resonant — it’s a story for anyone who’s ever had to hide, and for everyone who believes in a freer future.
In a time when LGBTQ people and stories are being targeted, All the World’s a Stage is tender, urgent, and unflinching, example of art meeting activism, showcasing what’s possible when we have can apply quiet courage to our daily lives.
In a post-show talkback on April 17, GLAAD’s Tony Morrison led a conversation on “The Politics of Identity: Affirmation and Advocacy” with NYC Council Member for District #3, Erik Bottcher, and Adam Odsess-Rubin, Artistic Director of the National Queer Theater.
The three discussed in greater depth how shows like this not only challenge audiences to think beyond the stage, but to act beyond it as well.
And as the show catches the attention of those on and off Broadway, the show’s musical number “Dinner,” was covered by the Kristen Bell and Santino Fontana. It was also their first time singing together since Frozen.
View this post on Instagram
See All the World’s a Stage now at Theatre Row in New York City now through May 10.
Get tickets at: www.keencompany.org/alltheworldsastage
